Question

Can someone rewrite the secret garden in first person like marry do her in first person

Answer 1

Title: Rediscovering the Magic: My Journey in The Secret Garden

I entered the mysterious world of The Secret Garden, and as I walked through the grand door of Misselthwaite Manor, a mix of curiosity and trepidation filled my heart. The vastness of the manor seemed overwhelming at first, with its echoing halls and hidden corridors. But amidst the somber atmosphere, I felt a glimmer of hope for a new beginning, for the secrets waiting to be unraveled.

As I explored the estate, my young heart couldn't help but be captivated by the enigmatic garden that lay neglected and forgotten. A surge of determination propelled me forward, urging me to bring life back to this forsaken place. With each step, I unraveled the mysteries of the garden, discovering its hidden charms and the secrets it held.

Through the power of nature, friendship, and a touch of magic, the once barren garden transformed into a haven of beauty and solace. As the garden bloomed, so did the spirits of those around me, including my newfound companion, Colin. Together, we healed not only the garden but also ourselves, blossoming with renewed joy and vitality.

In this enchanting journey of self-discovery and restoration, The Secret Garden became a testament to the indomitable spirit of the human heart and the transformative power of love and nature. It taught me the profound truth that even in the darkest of places, hope can flourish, and beauty can emerge from the most unlikely of sources.

Answer 2

The novel begins by introducing the reader to Mary — although it would perhaps be more accurate to say it begins by introducing us to her faults. She is described as ugly, ill-tempered, and viciously demanding; in short, she is "as tyrannical and selfish a little pig as ever lived." At the same time, however, the reader is given to understand that the source of Mary's hatefulness is not precisely in her: the blame lies with her parents—particularly her mother. Disappointed by her daughter's ugliness and sickliness, Mary's mother cruelly refuses to see her, instead leaving her in the care of a retinue of Indian servants who care nothing at all for the child. The servants must, however, obey her every whim, in this can be found the source of her imperiousness. Mary's only pleasure, even at this early point in the novel, is play-gardening: she sits beneath a tree and idly places cut flowers in mounds of sound. After the death of her parents in the cholera epidemic, she engages in the same activity at the house of the clergyman and his family. Throughout the first part of the novel, Mary remains standoffish and rude; however, the omniscient narrator consistently makes it clear that Mary is only so awful because of the wretched circumstances of her early childhood. The reader has access to the loneliness and displacement that Mary herself is not able to express, but feels deeply. The instant her circumstances improve—that is, the instant that she arrives at Misselthwaite—Mary too begins to improve. She becomes active and interested in the world around her (in India, she was always "too hot and languid to care about anything.") The reader thereby recognizes that there is nothing innately cruel about Mistress Mary: she is a victim of her own isolation. Mary develops real affection for her maidservant, Martha Sowerby, and for the robin redbreast that lives in the secret garden. She falls thoroughly in love with Dickon, and befriends Colin and Ben Weatherstaff; in short, she becomes utterly engrossed in the world around her. The English landscape and her work in the secret garden have a miraculously restorative effect upon her: by novel's end, Mary is no longer bitter and friendless, but is instead an ordinary playful ten-year-old girl surrounded by her intimates.

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