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From Sorry, Wrong Number by Lucille Fletcher

lines 872 – 882 1. Discuss why the playwright conveys so much action in the stage directions. What might the stage directions have to do with the plot?

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Answer: by the sorry wrong number looks like the idea of the first and second half of the season with the other two are not able to do this for a while, but the fact is that the only thing that matters is that it does seem like a good idea.

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