Answer:
d) Art should unsettle rather than soothe.
Step-by-step explanation:
The artistic ideas specific to Romanticism in the 19th century revolved around a rejection of the rational and ordered ideals of the Enlightenment. Instead, Romanticism embraced emotions, individualism, imagination, and the sublime.
One of the key characteristics of Romantic art was the desire to unsettle rather than soothe the viewer. Artists sought to evoke intense emotions, such as awe, fear, and even terror. They aimed to challenge the established norms and provoke a response that went beyond mere admiration or aesthetic pleasure.
For example, the painting "The Nightmare" by Henry Fuseli, created in 1781, is a prime example of Romantic art. It depicts a woman sleeping with a demonic creature sitting on her chest. The painting's dark and unsettling atmosphere, combined with the mysterious and disturbing imagery, is meant to evoke feelings of fear and unease.
Another example is the music of composer Ludwig van Beethoven. His compositions, particularly his later works, are known for their emotional depth and intensity. Beethoven pushed the boundaries of classical music, incorporating dissonance, unexpected changes, and dramatic contrasts. His Symphony No. 5, with its iconic opening motif, is a powerful and turbulent piece that captures the emotional turmoil and struggle of the human experience.
In summary, Romanticism in the 19th century prioritized art that unsettled rather than soothed the viewer. It aimed to evoke intense emotions, challenge established norms, and delve into the depths of human experiences, embracing the power of emotions, imagination, and the sublime.