Final answer:
True. The Sound of Music screenwriter Ernest Lehman solved the potential claustrophobic effect of the 'Do, Re, Mi' scene by moving to an outside classroom setting, open to the sun and sky.
Step-by-step explanation:
True. The Sound of Music screenwriter Ernest Lehman did solve the potential claustrophobic effect of the "Do, Re, Mi" scene by moving to an outside classroom setting, open to the sun and sky. This can be seen in the film during the scene where Maria teaches the Von Trapp children how to sing using solfege syllables. By taking the scene outside, the openness of the setting alleviated any sense of being confined and enhanced the joy and freedom conveyed in the song.
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