Answer:
One of Susan Foster's critiques of Alan Lomax is that he perpetuated the idea of the "other" in his field recordings. Foster argues that Lomax's recordings often exoticized and romanticized the cultures he was documenting, presenting them as primitive and untouched by modernity. This perpetuated a colonialist mentality and reinforced stereotypes about non-Western cultures.
Foster also criticizes Lomax for his approach to field recordings, which she sees as overly focused on preserving traditional music forms rather than allowing for innovation and change within those forms. She argues that this approach can lead to a static view of culture that does not accurately reflect the way that cultures evolve over time.
Another critique Foster makes of Lomax is his tendency to focus on individual artists rather than the wider social and cultural contexts in which they were working. She argues that this can lead to a narrow understanding of music as an individualistic pursuit rather than a communal one.