Final answer:
Michael Arnes developed exhibits with native Canadian communities at the Museum of Anthropology at the University of British Columbia, inspired by the cultural significance of native traditions and the evolving recognition of indigenous art as a contemporary and valuable art form.
Step-by-step explanation:
Michael Arnes at the Museum of Anthropology at the University of British Columbia was driven by the understanding and importance of cultural pasts and traditions when he developed exhibits in collaboration with native Canadian communities. The ultimate belief was in representing these indigenous cultures not just as historical artifacts but as dynamic, living parts of contemporary society. The transformative work of artists such as Norval Morrisseau played a pivotal role in this. His auspicious introduction of modern Indigenous art into a gallery setting challenged previous notions and paved the way for the acceptance of this art form as a modern and valuable part of Canadian culture.
Analogous efforts by the Indian Group of Seven in the '70s furthered the movement, promoting Native Peoples’ art in the Western art world beyond labels of mere indigenous craft to recognize modern artistic value and create wider opportunities for indigenous artists. These early influences highlighted the need for an evolved museum practice that regarded First Nations’ cultural expressions with the respect they deserved, influencing curators like Michael Arnes in how they approached anthropology and the curation of exhibits connected to indigenous cultures.