Question

Choose one of the artists featured in this unit, and then find another artwork by that artist. If you don't want to use one of these artists, use another artist's artwork that you like. Artist’s name and name of the artwork. In 2 or 3 sentences, describe the subject of the artwork. What tools did the artist use? Write 4- 5 sentences about how the artist used shape or form in the artwork, and the effect of that usage on the artwork. Write 4- 5 sentences about how the artist used shape or form in the artwork, and the effect of that usage on the artwork as an example of the use of shape or form.

Answer 1

Answers will vary.

Rubens: The Raising of the Cross. Rubens was a devoted Roman Catholic, and with this painting, he aimed to restore the emotional impact of the death of Christ.

Caravaggio: The Entombment of Christ. Caravaggio was a master of chiaroscuro and had an aggressive attitude that caused him to suffer a lot in his personal life. This painting is not only in accordance with the art of Counter-Reformation but also seems to suggest his personal anguish with the world.

Rembrandt: The Night Watch. Rembrandt chose subjects that dealt with family and home, business, and community. He was hired by a private militia to paint this group portrait.

Step-by-step explanation:

plato sample answer

Answer 2

Answer: I choose the painting, "Women in the garden" by Claude Monet

Step-by-step explanation:

Women in the garden was created by Claude Monet in 1866 using oil paints. In the painting he depicts his future wife, Camille Doncieux posing among other girls surrounded by trees and lush garden greens. Monet painted this painting en plein air which means outside. He was worried about having all the wrong angles so he dug a trench for his canvas after painting the upper half in order to have as realistic point of view as possible. In the painting the girls appear to be wearing beautiful gowns that Monet got the inspiration for from a magazine. Many of Monet's works of art where sent to Paris salons and loved by the public but when he sent his painting Women in the garden to be hung among the others for all to see it was rejected in 1867 because they claimed it was weak in the narrative and wouldn't show it in their museum because of his heavy brushstrokes. claude monet at the time was barely making it by due to not having alot of money so fellow artist Jean Frederic Bazille bought his painting in order to support him in his time of need.