Answer:
The answer is It appears to encompass and include the watcher.
Explanation:
Various works confined "vacant" space, most clearly José Léon Cerrillo's slim steel models detached in the exhibition or climbing its dividers. Venturing through them or moving around them, museumgoers were tossed into their very own uncommon comprehension bodies. Watchers watched Donna Kukama encounter a comparative body mindfulness in a video of her stopping and applying red lipstick while a swarm in Kenya praising the Mau Rebellion streams past her—a twentieth-century analogy for the individual lost to and by history